L. Subramaniam (Ethnic Jazz)

RAGAM, TANAM, PALLAVI
Raga : Kalyani Tala :
Eka (four-beat cycle) Composer : L. Subramaniam
Raga Kalyani (number 65 of the 72 parent scales or " melakartas")
Ascending :CDEF#GABC, Descending : С В A G F#EDC
Ragas in Raga-malika
l.SATYAPRIYA
Ascending: С E F G Bb С, Descending: С Bb G Bb Ab GFEGDbC
2. DESH
Ascending: С D F G В С, Descending: С Bb A G F E D ВС
3. RAMAPRIYA (number 52 of the 72 parent scales)
Ascending : С Db D F# G A Bb С, Descending : С Bb A G F# E Db С

RAGAM, TANAM, PALLAVI

RAGAM : Melodic improvisation in free rhythm revealing the different aspcts and beauty of the raga. In this, the soloist presents the raga in stages. The mridangam is silent in this type of improvisation.

TANAM : Another style of melodic improvisation. Even though it is in free rhythm, it introduces an element of rhythmic pulse. At the end of each phrase section, a stereotyped rhythmic cadence pattern is used to indicate the end of that phrase or section.

PALLAVI : This is a short precomposed melodic theme with words and is usually set to one cycle of tala. This theme is played in its simple form, two or three times, in order for the accompanist to familiarize himself with it. The drummer enters at the beginning of this section. The pallavi has the following main features:
a) Neraval: The word literally means "filling up" or "spreading"; in other words, filling up portions of the pallavi line with new, fresh, and creative music. The soloist improvises new melodies built around the words of the pallavi, which are fixed in relation to the tala.
b) Tri-kalam : In this section, the pallavi line is played in three tempi, keeping the tala constant : twice as slow as the original tempo, the original tempo, and twice as fast as the original tempo.
c) Swara-kalpana : This improvised section is performed along with the drummer using solfa syllables (swaras) in medium and fast speeds. Each swara-kalpana phrase returns to the beginning of the pallavi line.
d) Raga-malika : The pallavi ends with raga-malika, which literally means "garland of ragas". The soloist improvises freely in different ragas and at the end of each raga, comes back to the rhythmic theme of the original pallavi.

Аудио кодек: FLAC (*.flac)
Тип рипа: (track + .cue)
Корректность рипа: EAC ripped, correct read offset, test and copy
Наличие сканов в содержимом раздачи: full scans, png, 300 dpi

EAC extraction logfile from 16. May 2008, 8:55 for CD
L. Subramaniam / En Concert

Used drive : PIONEER DVD-RW DVR-112D Adapter: 0 ID: 0
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 48
Overread into Lead-In and Lead-Out : No

Used output format : C:\Program Files\FLAC\flac.exe (User Defined Encoder)
320 kBit/s
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -8" %s

Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface


Track 1
Filename D:\music\rip\L. Subramaniam - En Concert (1985) [FLAC]\01 - Ragam, Tanam, Pallavi (Raga Kalyani, Tala Ektal).wav

Pre-gap length 0:00:02.44

Peak level 100.0 %
Track quality 100.0 %
Test CRC 9677345C
Copy CRC 9677345C
Copy OK

No errors occured


End of status report