Marty Friedman - Introduction (1994)
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Marty Friedman - Introduction (1994)
Marty Friedman - Introduction (1994)
Жанр: Contemporary Instrumental, guitar rock
Дата выпуска оригинала: 1995
Производитель диска, номер, страна: Roadrunner 89502
Продолжительность: 42:07
Источник: Моя коллекция
Трэклист:
1. Arrival - 4:52
2. Bittersweet - 5:27
3. Be - 4:51
4. Escapism - 9:14
5. Luna - 5:17
6. Mama - 3:55
7. Loneliness - 4:08
8. Siberia - 4:19
All music written and arranged by Marty Friedman
Состав:
Marty Friedman - guitars
Brian BecVar - piano, keyboards, additional sound replacement
Nick Menza - drums
Alex Wilkinson - additional orchestration
Don Menza - shakuhachi on "Bittersweet"
Sachi McHenry - cello on "Bittersweet"
Charlie Bisharat - violin on "Bittersweet"
Издания:
1995 Roadrunner 8950
1994 Shrapnel 1071
1994 Roadrunner 89502
Жанр: Contemporary Instrumental, guitar rock
Дата выпуска оригинала: 1995
Производитель диска, номер, страна: Roadrunner 89502
Продолжительность: 42:07
Источник: Моя коллекция
Трэклист:
1. Arrival - 4:52
2. Bittersweet - 5:27
3. Be - 4:51
4. Escapism - 9:14
5. Luna - 5:17
6. Mama - 3:55
7. Loneliness - 4:08
8. Siberia - 4:19
All music written and arranged by Marty Friedman
Состав:
Marty Friedman - guitars
Brian BecVar - piano, keyboards, additional sound replacement
Nick Menza - drums
Alex Wilkinson - additional orchestration
Don Menza - shakuhachi on "Bittersweet"
Sachi McHenry - cello on "Bittersweet"
Charlie Bisharat - violin on "Bittersweet"
Издания:
1995 Roadrunner 8950
1994 Shrapnel 1071
1994 Roadrunner 89502
- "Несколько слов на английском":
- by Robert Taylor (AMG )
Guitarist Marty Friedman surprised the metal and guitar community with the release of his fine new age-influenced Scenes. On that release, he proved that he wasn't just another shredder, but rather an intelligent and sensitive player with strong compositional skills. With Introduction, Friedman continues to build on this formula, but with more maturity and musical diversity. Themes are not just introduced and abandoned in favor of gratuitous technical noodling, rather the compositions are thoughtfully explored and brought to a natural conclusion. Tracks such as "Arrival" and "Bittersweet" both contain beautiful melodies that would fit perfectly on a movie soundtrack. In fact, the compositions on this session are so good that Mr. Friedman could easily put down his guitar in favor of a pen, as it is his gift of composition that differentiates him from his peers. An unexpected masterpiece in a genre that could use more releases such as this.
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