Quincy Jones

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Quincy Jones

Post by Musicgate on Thu Oct 21, 2010 3:19 pm

Quincy Jones - Handel's Messiah - (A Soulful Celebration)- 1992







Жанр: Soul
Издатель (лейбл): Reprise 26980
Источник (релизер): коллекция Л Рендера, мой рип

Трэклист:
1. Overture: A Partial History Of Black Music - 5:13 (PRODUCED BY MERVYN WARREN)
AFRICAN
Arranged by Mervyn Warren || Keyboards, Programming & Sequencing: Mervyn Warren || African Drums/Percussion: Mustafa Abdul-Aleem, Elmore Brantly
NEGRO SPIRITUAL
Arranged by Mervyn Warren & Shelton Kilby || Vocal: Janice Chandler || Choir: Beverly Dent, Angela Wright, Marsha Wilson, Kim Fleming, Duane Hamilton, Cedric Dent, Chris Willis, Bob Bailey, Mervyn Warren
RAGTIME
Arranged by Dwayne Adell || Piano: Dwayne Adell
BIG BAND
Arranged by Mervyn Warren || Brass: Dennis Good, Robert Green, Chris McDonald, Jeff Bailey, Michael Haynes, Denis Solee, Samuel Levine || Piano: Mervyn Warren || Argo Bass: Craig Nelson || Drums: James Blair
GOSPEL
Arranged by Mervyn Warren || Program Drums by Mervyn Warren || Piano: Mervyn Warren || Organ: Fred Vaughn || Bass: Victor Caldwell || Tambourine: Eric Darken || Vocals: Donna McElroy, Vicki Hampton, Angela Wright, Kim Fleming, Chris Willis, Mervyn Warren
BLUES
Arranged by Mervyn Warren || Guitar: Mike E.
THE 70'S
Arranged by Mervyn Warren || Keyboards, Programming & Sequencing: Mervyn Warren || Guitar: Mike E. || Drums: James Blair, Mervyn Warren
JAZZ FUSION
Arranged by Cedric Dent || Keyboards, Programming & Sequencing: Cedric Dent and Ben Tankard
HIP-HOP
Arranged by Joe Hogue || Keyboards, Programming & Sequencing: Joe Hogue
HOUSE
Arranged by Joe Hogue || Keyboards, Programming & Sequencing: Joe Hogue

2. Comfort Ye - 5:44
DUET: VANESSA BELL ARMSTRONG & DARYL COLEY
Arranged by Mervyn Warren || Background Vocal Arrangement by Mervyn Warren & Michael O. Jackson || Keyboards, Programming & Sequencing: Mervyn Warren || Drum Program: Mark Hammond || Guitar: Tom Hemby || Bass: Jackie Street || Saxophone: Mark Douthit || Background Vocals: Donna McElroy. Bob Bailey. Vicki Hampton, Chris Willis, Angela Wright, Mervyn Warren

3. Every Valley Shall Be Exalted - 3:42
DUET: LIZZ LEE & CHRIS WILLIS || RAP: MIKEE.
PRODUCED BY MERVYN WARREN
Arranged by Mervyn Warren & Mark Kibble || Rap Lyric by Mike E. || Keyboards, Programming & Sequencing: Mervyn Warren, Mark Kibble || Drum Program: Mark Hammond || Guitar: Mike E, || Brass: Chris McDonald, George Tidwell, Michael Haynes, Mark Douthit - Background Vocals: Mark Kibble. Mervyn Warren, Donna McElroy

4. And The Glory Of The Lord - 3:57
LEAD VOCALS: DIANNE REEVES
PRODUCED BY GEORGE DUKE
Arranged by Charles Mims - Keyboards Synthesizer Programs: Charles Mims || Drums: Ricky Lawson * Percussion: Rocky Deardrick || Guitar: Paul Jackson, Jr. || Bass: Abe Laboriei || Background Vocals: Phil Perry, Jim Gilstrap, Roy Galloway

5. But Who May Abide The Day Of His Coming 6:38
LEAD VOCAL: PATTI AUSTIN
PRODUCED BY DAVID PACK, CO-PRODUCED BY РАТП AUSTIN
Arranged by David Pack, Greg Phillinganes & Patti Austin || Keyboards: Greg Phillinganes || Bass Synth: Greg Phillinganes || Additional Keys: David Pack || Rhythm & Percussion: David Pack & Greg Phillinganes || Rhythm Arrangement: David Pack, Greg Phitlinganes & Patti Austin || Violin: Daniel Kobialka || Synth Program Assistance: John Lehmkuhl || Computer Aid: Bob McChesney || Background Vocals: Patti Austin, David Pack & Greg Phitlnganes || Vocal Arrangement: Patti Austin & David Pack

6. And He Shall Purify - 4:36
LEAD VOCAL: TRAMAINE HAWKINS
PRODUCED BY MERVYN WARREN
Vocal Arrangement by Michael O. Jackson, Rhythm Arrangement: Michael O. Jackson, Mervyn Warren || Drum Program: Mark Hammond || Piano/Organ: Michael O. Jackson || Programming & Sequencing: Mervyn Warren || Bass: Jackie Street Background Vocals: Donna McElroy, Chris Willis, Angela Wright, Mervyn Warren, Bob Bailey, Vicki Hampton, Gayle Mayes

7. Behold, A Virgin Shall Conceive - 3:56
LEAD VOCAL: HOWARD HEWITT
PRODUCED BY GEORGE DUKE
Arranged by George Duke || Keyboards: George Duke || Guitar: Paul Jackson, Jr. Background Vocals: Howard Hewitt

8. O Thou That Tellest Good Tidings To Zion - 3:52
LEAD VOCALS: STEVIE WONDER & TAKE 6 BACKGROUND VOCALS: TAKE 6
PRODUCED BY TAKE 6

9. For Unto Us A Child Is Born - 3:53
LEAD VOCALS: CORE COTTON, JAMECIA BENNETT, JAMES WRIGHT, CARRIE HARRINGTON, PAT LACY || BACKGROUND VOCALS: SOUNDS OF BLACKNESS
PRODUCED BY OARY D. HINES
1st Sopranos: Jayn Bell, Jamecia Bennett, Dorothy Brown, Sandra Harris 2nd Sopranos: Angela Henderson, Wanda Lewis, Renee McCall, Ann Nesby, Cherly Reeves, Elizabeth Turner || 1st Altos: Core Cotton, Shirely Marie Graham, Carrie Harrington, Valarie Johnson 2nd Altos: Beverly Mahto, Alecia Russell, Dorothy Shelby, Dorothy Townes, Jennifer Whittock || 1st Tenors: Kimberly Brown, Robert Edwards, Terrence Frierson || 2nd Tenors: Dr. Robert Jones, Russell Knighton, Patricia Lacy, Bill Smith, Craig Taylor || Baritones: Trenson Graham, Billy Steele, James Wright || basses: Michael Bowens, Freddie Winston David Brian Young, Rev. Joseph Young, Jr. - Additional Vocals: Michael Bowens, Kimberly Brown, Core Cotton, Terrence Frierson, David Young

10. Glory To God - 4:51
VOCALS: THE BOYS CHOIR OF HARLEM, DIRECTED BY WALTER J. TURNBULL; RAP: LEADERS OF THE NEW SCHOOL; LEAD VOCAL: MICHELLE WEEKS
PRODUCED AND ARRANGED BY ROBERT SADIN
Keyboards, Keyboard Bass, Drum Programming: Robert Sadin || Synthesizer Sound Programming: Robert Sadin || Additional Sound Programming: Dave Darlington, Jeff Dovner

11. Rejoice Greatly, O Daughter Of Zion - 5:07
VOCALS: THE RICHARD SMALLWOOD SINGERS
The Richard Smallwood Singers are Dennis Sawyers, Carolene Evans, Darlene Simmons, Jacki Ruffin, Richard Smallwood Keyboards & Programming: Richard Smallwood, Bryant Pugh || Bass: Tim Linzy || Percussion: Terry McMillan

12. Behold The Lamb Of God - 4:32
PERFORMED BY THE YELLOWJACKETS
PRODUCED AND ARRANGED BY THE YELLOWJACKETS
Keyboards: Russell Ferrante || Bass: Jimmy Haslilp || Drums: William Kennedy || Saxophone: Bob Mintzer || Synclavier: Steve Croes

13. Lift Up Your Head, O Ye Gates - 5:12
VOCALISTS: COMMISSIONED & THE CLARK SISTERS
PRODUCED AND REARRANGED BY FRED HAMMOND
Keyboards: Timothy Carpenter, Eddie Howard. Fred Hammond || Drum Programming & Keyboard Bass: Fred Hammond || Vocal Arrangements: Fred Hammond, Dorinda Clark Cole, Mitchell Jones || Engineered by Randy Poole - Assistant Engineer: Ed Marx ||
Mix Engineer: John Jaszcz || Production Coordinator: Marilyn Morgeson

14. Why Do The Nations So Furiously Rage? - 2:36
LEAD VOCAL: AL JARREAU
PRODUCED BY MERVYN WARREN
Arranged by Mervyn Warren || Piano: Mervyn Warren || Drums: Chuck Tilley Arco Bass: Jim Ferguson || Brass: Jerry Hey, Charles Findley, Gary Grant, Larry Hall, Charles Loper, Lew McCreary, Tom Malone, George Bohanon, William Relchenbach, Daniel Higgins, Gerald Albright, Kirk Whalum, Larry Williams, Kim Hutchcroft || Saxophone Solo: Kirk Whalum

15. I Know That My Redeemer Liveth - 6:00
LEAD VOCAL: TEVIN CAMPBELL
PRODUCED BY MERVYN WARREN
Arranged by Mervyn Warren & Michael O. Jackson || Keyboards, Programming & Sequencing: Mervyn Warren || Drum Program: Mark Hammond || Background Vocals: Ray Davis, Chris Willis, Mervyn Warren || Guitar: Torn Hemby

16. Hallelujah! - 5:53
CHOIR: VANESSA BELL ARMSTRONG, PATTI AUSTIN, BERNIE K., DARYL COLEY, COMMISSIONED, ANDRAE CROUCH, SANDRA CROUCH, CLIFTON DAVIS, CHARLES DUTTON, KIM FIELDS, LARNELLE HARRIS, EDWIN HAWKINS, TRAMAINE HAWKINS, LINDA HOPKINS, AL JARREAU, CHAKA KHAN, GLADYS KNIGHT, LIZZ LEE, DAWNN LEWIS, BABBIE MASON, JOHNNY MATHIS, MARILYN McCOO, STEPHANIE MILLS, JEFFREY OSBORNE, DAVID PACK, PHYLICIA RASHAD, JOE SAMPLE, RICHARD SMALLWOOD, SOUNDS OF BLACKNESS, TAKE 6, DARRYLTOOKES, MERVYN WARREN, THOMAS WHITFIELD, VANESSA WILLIAMS, CHRIS WILLIS, MIKE E.
BACKGROUND VOCALS: KIM FLEMING, ANGELA WRIGHT, GAYLE MAYES, DONNA MCELROY, CHRIS WILLIS, MERVYN WARREN, BOB BAILEY
AD LIB: DARYL COLEY
PRODUCED BY MERVYN WARREN
CONDUCTED BY QUINCY JONES
Arranged by Mervyn Warren, Michael O. Jackson & Mark Kibble || Brass Arrangement: Jerry Hey || Piano: Michael O. Jakson || Keyboards,
Programming & Sequencing: Mervyn Warren || Drum Program: Mark Hammond || Bass: Victor Wooten || Brass: Jerry Hey, Gary E. Grant,
William F. Reichenbach, Daniel Higgins, Larry Williams || French Horns: Eberhard Ramm, Leslie Norton

"Несколько слов на английском":

Contemporary soul-pop artists, including Patti Austin, Tevin Campbell, Stevie Wonder, Quincy Jone, Take 6, Howard Hewett, and Dianne Reeves, take a pop-song approach to Handel's classic Christmas oratorio. Handel's wonderful melodies are updated with synthesizers, drum machines, and slick pop production from Quincy Jones and Take 6's Mervyn Warren. (All Music Guide)

By Anne Marie Welsh
THEATER CRITIC

December 3, 2004

In one of those hands-across-the-ages collaborations dear to artists in all media, music producer Quincy Jones drew a starry lineup of soloists and choir members from the gospel and secular music worlds to celebrate the 250th anniversary of Handel's "Messiah" by – what else – recording a new album.

The resulting "Handel's Messiah: A Soulful Celebration" won Jones his 27th Grammy Award in 1992 and has since been played, sung, danced and, even occasionally, staged.

The name of San Diego's A Common Ground Theatre says most of what you need to know about the hands-across-the-divide motivation of this grass-roots theater company.

Executive producer Floyd Gaffney, a UCSD theater professor emeritus, won't have Johnny Mathis, Gladys Knight, Stevie Wonder, Chaka Kahn and the Boys Choir of Harlem in his stage production of "Soulful Celebration." But he says that music director Rose Buchanan has assembled "the best gospel singers in the city" for performances of the unusual oratorio, which opens at the World Beat Center tonight.
Datebook

"You could actually call it a premiere," said Gaffney of the holiday show for which he and actor Tony Drummond wrote a script using "Bible texts that bridge the music and tell the Nativity story, ending joyfully with the Hallelujah chorus."

Aside from the 14-member gospel choir conducted by Buchanan, the cast includes a rap artist, a hip-hop dancer, three actor-narrators and a seven-piece band.

The Jones recording, often nicknamed "Black Messiah," blended European and African-American musical forms – classical, gospel, blues, R&B, hip-hop and jazz – as it transposed the 18th-century text into a troubled, late 20th century. Classical music lovers greeted the unusual project mostly with silence. At least one music critic, Ottavio Roca, then at The Washington Times,found it sacrilegious, "a bizarre specialty act that will barely last out the season," while a few others praised its postmodern appropriation of Handel's music now shaped and transformed into a hip, new identity.

Mozart had done something similar, though still within the classical tradition, when his tribute to the genius of Handel updated the 1742 "Messiah" score, adding woodwind parts and new melodies to reflect the musical taste of his times. Gaffney and Buchanan say they've done just that with the music Jones and company recorded.
Evolution of 'The Messiah'

"The (written) score has never been available, so Dr. Buchanan worked to score it herself. We aren't doing the whole thing; we're constructing our own presentation based on Jones' album, keeping the chronology of Handel's numbers," said Gaffney.

Buchanan has also inserted several "well-received, contemporary Gospel pieces in their latest arrangements," Gaffney said, praising skills that he said drew singers to the project. "She's worked in church settings with choirs and choruses, and also in musical theater on shows like 'Purlie Victorious.' "

He and Buchanan collaborated last year at this time to stage A Common Ground's first production, the Langston Hughes musical "Tambourines to Glory" at the Kroc Center Theatre in the Rolando neighborhood. Gaffney, who ran the Southeast Community Theatre for many years, has directed scores of plays, including the potent AIDS drama "Before It Hits Home," and his musical credits include several stagings of "Black Nativity" and a rousing "Gospel at Colonus" two years ago at St. Paul's Cathedral.

A Common Ground Theatre aims, he said, to produce quality performing arts events as "a bridge to the diverse San Diego community. We're multiracial and we're trying to involve people in expressing and sharing their traditions. We want to create that common ground where we all can stand together."

When he retired from UCSD and from the Southeast Community Theatre, Gaffney recalled that he was "content" for himself, but "concerned about young people because there was no children's theater or social service agency with a theater to get kids educated and interested in the performing arts the way I was in Cleveland."

Working on "Soulful Celebration" has been "pure joy," he said, unabashedly. "The chorus sounds like The Mormon Tabernacle Choir. We have a prayer circle during each rehearsal; there's a deep spiritual component to what we're doing. This isn't just a theater show."

He credits community leaders Rufus De Witt and Dr. Robert Matthews with getting A Common Ground Theatre organized two years ago. "Now that we're established with a board of directors, we're not just held together by chewing gum anymore," Gaffney said. "Now we can think about reaching out and doing more than just one production a year."

Spoiler:
Аудио кодек: FLAC (*.flac)
Тип рипа: (tracks + .cue)
Корректность рипа: EAC ripped, correct read offset, test and copy
Битрейт аудио: lossless
Наличие сканов в содержимом раздачи: full scans, png, 300 dpi

EAC extraction logfile from 11. February 2007, 21:42 for CD
Quincy Jones / Handel's Messiah - A Soulful Celebration

Used drive : _NEC DVD_RW ND-3550A Adapter: 0 ID: 1
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 48
Overread into Lead-In and Lead-Out : No

Used output format : C:\Program Files\FLAC\flac.exe (User Defined Encoder)
128 kBit/s
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s

Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface


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Track 13
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Track 16
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No errors occured


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